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COALESCENT by Stephen
Baxter With Coalescent Stephen Baxter begins a new trilogy, “Destiny’s Children”. Chapter 1 throws us in at the deep end, and the rest of the book fills in the details – slowly, surely – that allows us, in Chapter 52, to get back to where we started. Except that along the way everything has changed. All sorts of other realities and possibilities, both Earth-bound past and present, and giant galactic epic futures, are invoked, and wait for us. When his father dies, George Poole returns to the family home, now empty, to put his father’s affairs in order. He starts finding things out about his family, and his ancestry, that he never knew. Baxter alternates these chapters of discovery with another story, that of Regina, a girl growing up in the Britain of the twilight of the Roman Empire, in the first part of the fifth century. Her story is engrossing, with plenty of detail and an overwhelming sense of loss pervading everything – civilisation is crumbling, certainties are disappearing, life is becoming dangerous and the towns empty and decay, as the Empire gradually descends into chaos. Baxter creates a post-holocaust world that has already happened, and makes it come alive so much that it hurts. The stories begin to knit together – with the centuries dividing them seeming very unimportant – when Regina decides to leave Britain once and for all, and to travel to Rome. Although the mighty city is still the centre of the Empire, the writing is on Aurelian’s Wall. And George Poole’s investigations take him to Rome, to pursue the mysterious, ancient Puissant Order of Holy Mary Queen of Virgins, and to start putting all of the pieces together. I suspect that Coalescent, as the first book of a trilogy, sets the scene for a story of Stapledonian proportions, the sort of story that Stephen Baxter has become renowned for. This book seems to be a gigantic prologue to an even more gigantic tale, and one that looks likely to connect up with other novels and stories in Baxter’s colossal “Xeelee” future history series. But however “Destiny’s Children” is to continue, its beginning is with ordinary people finding themselves in extraordinary times and situations, and discovering in themselves unexpected strengths, and the ability to adapt. Humanity survives – even if the definition of what it is to be human has to possibly change. And inevitably there are conflicts. This would seem to be a fitting place to start from, and a theme (already explored by Baxter in other work) to develop. As ever, Stephen Baxter offers us a dazzling ride of widest scope, and I for one certainly want to go along.
(A slightly different version of this review was first published in Prism.)
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